New Release

Charlie Brown Superstar co-produced and remixed Joyful Noise, the final and third installment of Tyler Childers’ most recent album, “Can I Take My Hounds To Heaven,” (RCA Records) which debuted at number 8 on Billboard 200.

Charlie Brown Superstar Headshot

Charlie Brown Superstar (Brett Fuller) is a DJ, producer, remixer, and artist from Huntington, WV. He co-produced and remixed Joyful Noise, the final installment of Tyler Childers’ most recent three-part album, “Can I Take My Hounds to Heaven?” (RCA Records), which debuted at The Official Tyler Childers Afterparty: Charlie Brown Superstar’s Joyful Noise at Reelworks in Denver, Colorado.

Brett currently concentrates on what he calls Mountain Funk, an eclectic blend of jam, funk, and electronic, with elements of local flavor, which inspired the production of Joyful Noise. He has showcased his concept of Mountain Funk at festivals such as Mountain Music Fest, Brew Skies, and Kickin’ It On the Creek, and, in his hometown at the Huntington Music and Arts Festival and Funktafest.

Charlie Brown Superstar is a veteran of the West Virginia DJ scene and has played at clubs such as Gumby’s, Gyrationz, and the V Club (now known as The LOUD) since the mid-90s. He is known for playing and producing a wide range of music with a focus on Nu Disco and house. He is currently touring with Tyler Childers and The Foodstanps for the Send In The Hounds tour.

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    NPR Music's Ann Powers, Jerusalem Truth and Hazel Cills join WRTI's Nate Chinen and host Lars Gotrich as they share the best music they heard in the month of September. 2022, including Tyler Childers’ “Can I Take My Hounds To Heaven.”

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    Under the glow of the neon moon, it’s probably a safe bet to say Brett Fuller has moved more people in the Jewel City than a fleet of TTA buses. Working and practicing his disc jockey turntable night moves for the past 25 years, Fuller, known in the clubs and now on the festival scene as DJ Charlie Brown Superstar, has been at the heart of the night scene here from Gumby’s to the V Club and spinning in between the hot musical acts of the day from Chum to Childers.

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    “I usually use a lot of different sounds as I work in the house music-new disco genre as well, but with the ‘Joyful Noise’ record, I feel like we were concentrating on more of a hip-hop instrumental deal with that album.”